劉艾真的作品將於美國紐約apexart的群展「Bad Boundaries: Bodies in Tension」中展出。
「Bad Boundaries: Bodies in Tension situates Seoul, Korea, as a site for interrogating the origins of Korean diasporic identity and how womanhood is shaped within transnational experiences–spanning Korean-American, Korean-Canadian, Korean-German, and multi-Asian American diasporic perspectives. The exhibition responds to the broader societal reckoning prompted by the 4B movement, a feminist discourse that emerged in Korea and has recently gained momentum among young feminists in North America. As a challenge to deep-seated patriarchal and capitalist structures, 4B critiques how these systems impose and normalize expectations of women through entrenched cycles of labor, caregiving, and surveillance. Rooted in a rejection of marriage (bihon), childbirth (bichulsan), dating (biyeonae), and heterosexual relationships (bisekseu), 4B challenges the societal control of women’s autonomy and bodies. By positioning the body as a politicized medium, Bad Boundaries: Bodies in Tension examines tensions between autonomy and constraint, visibility and erasure, and resistance and conformity through the works of Yon Natalie Mik, Sun Forest, and Lauren Lee.」——apexart
策展人：Sue Jeong Ka
地點：美國紐約apexart（291 Church Street New York, New York 10013）