\u4f55\u5146\u5357\u53c3\u8207\u65e5\u672c\u6771\u4eacT3 PHOTO FESTIVAL TOKYO\uff0c\u5c55\u51fa\u300a\u4f5c\u54c1\u547d\u540d\u5c1a\u672a\u6210\u529f\u300b\u7cfb\u5217\u4f5c\u54c1\u3002<\/p>\n\n\n\n
\u300cThrough the traces etched on the surface of the city, we gaze upon the layers of time.
This exhibition showcases two artists who each capture the traces accumulated in a city from different perspectives. Kodama Hironori\u2019s BLOCK CITY<\/em> surveys the urban landscape continuously reconstructed amidst the whirlwind of social events. As the actions and collectivity of the people bear temporary transformation to the city, the same landscape is continuously updated. Contrastingly, South Ho directs his attention to the traces that linger after the event in Work Naming Has Yet to Succeed<\/em>. The residues of protests and social actions, evidence of erasures or patchings\u2014they soon dissolve into the everyday and settle in the landscape like sediment. The occurrence of an event and its aftermath: traces generated anew and traces that stay and transform over time. A seesaw between two perspectives, the exhibition steps outside the concept of the city as a mere physical space and reframes the urban landscape as a place constantly overwritten by an infinite series of events and memories.\u300d \u2014 T3 PHOTO FESTIVAL TOKYO<\/p>\n\n\n\n