\u90dd\u656c\u73ed\u5c07\u53c3\u52a0\u65bc\u5df4\u897f\u8209\u884c\u7684\u7b2c36\u5c46\u8056\u4fdd\u7f85\u96d9\u5e74\u5c55\u3002<\/p>\n\n\n\n
\u300cThe curatorial team adopted bird migration patterns as a methodological guide for selecting participants. These patterns include the red-tailed hawk\u2019s journey between the Americas, the ruff\u2019s flight between Central Asia and North Africa, and the Arctic tern\u2019s long polar routes. These birds\u2019 precise cross-continental and cross-climate zone trajectories serve as a metaphor for curatorship itself: like birds, we carry memories, experiences, and languages across borders. We migrate not only out of necessity but also as a form of continuous transformation.<\/p>\n\n\n\n
“This methodological process helped us avoid classifications based on nation-states and borders. By studying birds\u2019 navigation skills, their impulse to migrate across land and water, their survival instincts, their expanded sense of space and time, and their urgency and agency, we were able to engage with artistic practices in different geographic regions while reflecting on the meaning of bringing humanity together in the context of the 36th Bienal de S\u00e3o Paulo,\u201d says Bonaventure Soh Bejeng Ndikung.\u300d\u2014\u2014 \u7b2c36\u5c46\u8056\u4fdd\u7f85\u96d9\u5e74\u5c55<\/p>\n\n\n\n
\u4e3b\u5e2d\u7b56\u5c55\u4eba\uff1aBonaventure Soh Bejeng Ndikung \/ \u5171\u540c\u7b56\u5c55\u4eba\uff1aAlya Sebti, Anna Roberta Goetz, Thiago de Paula Souza \/ Co-curator at large: Keyna Eleison<\/p>\n\n\n\n
\u5730\u9ede\uff1a\u5df4\u897f\u8056\u4fdd\u7f85Ciccillo Matarazzo Pavilion\uff08Av. Pedro \u00c1lvares Cabral, s.n. Ibirapuera Park, S\u00e3o Paulo, SP, Brazil\uff09<\/p>\n\n\n\n
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